#that the generalization sticks

[yannisdesk]

The reason why Christians view anything they don't agree with gaining notoriety on mainstream society as "shoving things down their throats" is because that's exactly what they're taught to do with their religion; and anything that could potentially come between them "spreading the gospel," and converting more people is to be treated as a massive threat.

[ab-rinart]

Lmao get Grievous’d.

[thewanderingmask]

congrats to these lovely folks!

[poorly-drawn-mdzs]

The penisest of tunes.

[First] Prev <–-> Next

[potatoeofwisdom]

Donatello for your thoughts

[front-facing-pokemon]

[mitsukara7]

The Amazing Digital Circus gang (N64-ish style)

I've still got Sailor Moon fanart plans but my secondary hyperfixation for this new series is still going strong. UPDATE: I made Queenie and some of the other abstracted characters, too! (link)

[gaywarcriminals]

My hurdle in writing Shen twins/bros AUs is always the fact that a backstory which produces a Shen Jiu will never be a backstory that produces a Shen Yuan. You have to change fundamental parts of one of them if you want them to share an upbringing.

AUs that maintain the element of SY being a transmigrator work the best in that regard, because he can still have 20-some years of being a spoiled son, but even then, the more horrors of SJ's childhood that SY experiences, the more SY would be changed. SY thinking he's fine because it's just a story or because he's mentally an adult would not prevent SY from getting traumatized. Similarly, an AU where SJ grows up as the well cared for second Shen son is going to result in a very different man, because SJ is so heavily shaped by his trauma.

I think this is part of why I find them easier to write as parent and child; the fic conventions are that if SJ is SY's parent, then SJ has clawed himself to a higher position where he can offer SY comfort and stability, and if SY is SJ's parent, then SY changes SJ by giving him an un-traumatizing childhood. Either way, it makes sense for them to be those versions of themselves in that story.

[zyanova]

Starscream is claustrophobic, yes?

[atalienart]

Kavar and Fenet

[forgettable-au]

Do you have any character/scene/color references you use that you could show for fanart purposes?

I don't rjnlgvd😭😭😭😭

I'VE BEEN MEANING TO DO SOME BUT I HAVEN'T FOUND THE TIME YET ,,,,,,,,

I usually just check past panels to check details...which is bad practice....please don't be like me,,, I constantly forget to draw WIngding's pocket...which...he may or may not have anymore... that pocket is so annoying

I NEED TO DO REFERENCES SOON!!! AND WHEN I DO THEM I'LL DEFINITELY SHARE THEM!

Here's some things?? I really don't think these will be useful because none of these are finished?? but, here

The first one is just, Alphys and Sans, but that one's a little old, alphys doesn't have a green shirt anymore, it's just the white lab coat

The second one is the sketch I made for Wingdings' and Sans's room, but that one is not finished AT ALL

I just needed the overall idea for that one scene hehe

The last one is WIngdings' lab coat c:

[autismsupersoldier]

a non-exhaustive list of my dunmeshi cast headcanons, as well as a fun exercise in censoring genitals in creative ways. below the cut you can see a list of notes and explanations. hope you enjoy as much as i enjoyed watching the anime!

important to preface:

now, lets get into it.

thanks for lookin! here are some sketches too:

some more falins because shes my favourite!

[ink-the-artist]

Workplace Divinity

[anghraine]

It's 11 PM, but one of my favorite little Darcy/Elizabeth moments happens while she still hates him and thinks he's a depraved monster, and I find it really entertaining.

It's during the Kent section, when Darcy calls at the parsonage and finds Elizabeth alone. During a longer, awkward conversation in which they both deeply misunderstand each other, they have this tiny interchange:

[Darcy:] “This seems a very comfortable house. Lady Catherine, I believe, did a great deal to it when Mr Collins first came to Hunsford.” “I believe she did—and I am sure she could not have bestowed her kindness on a more grateful object.” “Mr Collins appears very fortunate in his choice of a wife.” “Yes, indeed; his friends may well rejoice in his having met with one of the very few sensible women who would have accepted him, or have made him happy if they had. My friend has an excellent understanding—though I am not certain that I consider her marrying Mr Collins as the wisest thing she ever did."

So: they are in Mr Collins's house. Darcy tries to re-start the conversation with a polite nothing about the house. Elizabeth agrees about Lady Catherine's micro-managing, but can't resist the chance to make a sly jab at Mr Collins (who is not present) to Darcy (a genuine villain, as far as she believes).

Darcy's reply looks a bit like an attempt to redirect the conversation into safer waters (they can agree that Charlotte is cool!). But although his remark is only somewhat related to what Elizabeth said, I think it's a natural follow-up in his mind because he is also insulting Mr Collins, if more subtly.

He could have praised Mr Collins's judgment in choosing Charlotte or just said something nice about Charlotte; he doesn't. Instead, he suggests that Mr Collins's choice of Charlotte was a matter of good fortune—or chance, as Charlotte herself would say!—on Collins's part. Darcy and Elizabeth both know Collins is a fool and that his choice of a woman like Charlotte says nothing about his judgment, only about his good fortune. (Elizabeth has even better reason than Darcy to know how much Collins ending up with Charlotte was lucky for him, but Darcy can see it anyway.)

Darcy's phrasing gives him some plausible deniability, but I think he's generally quite careful with his wording and the implicit insult to Mr Collins is not accidental.

Elizabeth, I think, takes this exactly as intended. She's not at all confused about where this tangent came from or offended by it or anything. She readily seizes on the new line of conversation as encouragement to keep insulting Mr Collins and his appeal to women with functioning brainpower.

Elizabeth is pretty scrupulously polite in general, so I kind of love that she just starts venting about her absolute contempt for Mr Collins and the Collins/Charlotte marriage to Darcy in the middle of a tense and weird conversation in Mr Collins's house. And I love that Darcy, who is otherwise more or less dog-paddling his way through this conversation, is like "yeah, your friend seems really cool, that dumbass is lucky he accidentally chose someone with a brain."

Elizabeth: "Right? And, let me add-"

(Is it a bit of an asshole move on both their parts in the context of that scene? Yeah, I think a little. I also love it! Please trash-talk obnoxious hosts in their own parlours for the rest of your lives.)

[cassstash]

[untitled-tmnt-blog]

I absolutely HAD to draw something for @phoebepheebsphibs's DTIYS (based on this pose)! I decided to mix things up a bit by experimenting with a more limited color palette, which was a pretty fun challenge.